William Williams (1727 – 27 April 1791)[1] was an English/American painter. He was born in Bristol, England. His family is believed to have originated in Caerphilly, Wales just across the Severn River from Bristol. He began living in Philadelphia around 1747 after time at sea. In Philadelphia he was instrumental in building America's first theater, maintained an art studio at "The Sign of Hogarth's Head" and taught art to Benjamin West among others. He associated with Benjamin Franklin, Franklin's partner, David Hall, Patriot and intellectual, Benjamin Lay and with William and Lewis Hallam. Travelling with the Hallam Company he lived for a time in Jamaica and afterwards in New York City where he was married to Mary Mare, the Sister of Artist John Mare, Jr. Their Son, William Williams, Jr. (later known as William Joseph Williams), was born in New York City in 1759. Williams returned to England in 1776 where he lived in London for some time and renewed his friendship with Benjamin West. He subsequently returned to Bristol where he painted for several years before falling on hard times. He died in the Merchants' and Sailors' Almshouse in Bristol in 1791.
Williams is believed to have been a seafarer during the early part of his life. During that time he became a friend and shipmate of William Falconer. Williams wrote The Journal of Penrose, Seaman, believed to be partly autobiographical, about a sailor who is cast away in the New World. This book is accounted by many scholars as the first American novel.
William Williams gave the first art instruction to the young Benjamin West. West later credited Williams as giving him his interest in painting.
William Williams was the father of William Joseph Williams (1759–1823), another American painter. William Williams has numerous descendants living in the United States and abroad.
Williams left his personal property to Thomas Eagles, a gentleman who helped him gain admission to the almshouse, where he lived until his death. The bequest included many books, a self-portrait (now in the Winterthur Museum) and the manuscript of Penrose. The Revd John Eagles, son of Thomas, prepared an edited copy of this for publication, including 37 watercolours mainly by Nicholas Pocock, intended for engraving. This Eagles version appeared in 1815, but without the illustrations, and in 2006 its manuscript was acquired by the National Maritime Museum, Greenwich, UK. Williams' original manuscript, bequeathed to Eagles senior, is at the Indiana University at Bloomington. The manuscript was transcribed and published in 1969 by Dr. David Howard Dickason.
References
^ National Portrait Gallery - Colonial Portraits
