James Carroll Beckwith (September 23, 1852 – October 24, 1917) was an American landscape, portrait and genre painter whose Impressionist style led to his recognition in the late nineteenth century as a prominent figure in American art.
Biography
Carroll Beckwith, as he preferred to be known, was born in Hannibal, Missouri on 23 September 1852, the son of N. M. Beckwith, who was United States Commissioner-General at the Paris Exposition of 1867. However, he grew up in Chicago where his father started a wholesale grocery business. In 1868 aged 16 he studied art at the Chicago Academy of Design under Walter Shirlaw until the great fire of 1871 destroyed eveything (including much of the heart of the city). He then went to New York and studied at the National Academy of Design (of which he afterwards became a member) in New York City under Lemuel Wilmarth and later traveled on to Paris, staying there from November 1873 until 1878.
In Paris he took drawing courses with Adolphe Yvon[1] and studied painting under Carolus Duran who in 1877 selected Beckwith and John Singer Sargent to help him with a mural for the Palais du Luxembourg. Returning to the United States in 1878, he gradually became a prominent figure in American art. His talents as a draftsman secured him a professorship at the Art Students League of New York, where he taught from 1878 to 1882 and from 1886 to 1887.[1] As an artist, he concentrated mostly on portraits, figure studies, and detailed renderings of historical monuments, but he never lost his interest in decorative design.He married Bertha Hall on 1 June 1887, and his friend John Singer Sargent gave them a Venetian watercolor as a present.[2]
Beckwith took an active part in the formation of The Fine Arts Society, and was President of the National Free Art League, which attempted to secure the repeal of the American duty on works of art. Among his portraits are those of William Merritt Chase (1882), Miss Jordan (1883), Mark Twain, Theodore Roosevelt, Thomas Allibone Janvier, John Schofield and William M. Walton. He taught at the Art Students League of New York - where Violet Oakley was one of his students.
Beckwith received many awards including an Honorable Mention at the Paris Exposition of 1889 and a Gold Medal at the Atlanta Exposition in 1895. He also won an award at the Exposition Universelle at Paris in 1899 for what is probably his most celebrated work, his 1886 portrait of William M. Walton. He won a gold medal at the Charleston Exposition in 1902[1] and exhibited at the St. Louis World's Fair in 1904 showing his painting "The Nautilus" along with a portrait of his wife. Carroll returned to Paris in 1893 to paint a number of murals and then returned to the United States to paint murals on one of the domes in the Liberal Arts Building at the World Columbian Exposition in Chicago later in 1893. He lived in Italy from 1910 to 1914 and painted many en plein air studies of monuments, buildings, and landscapes.[2]
James Carroll Beckwith died of a heart attack in his apartment at the Hotel Schuyler on West Forty-fifth Street in New York City on 24 October 1917 aged sixty-six after having taken a taxi cab ride with his wife in Central Park.[3]
His papers, including his sketchbooks and the diaries he kept from 1871 until his death in 1917 are held by the National Academy of Design in New York City.[4]
References
1. ^ a b c [1] Biography of James Carroll Beckwith
2. ^ a b [2] Beckwith on the JSS Virtual Gallery website
3. ^ [3] Death of Beckwith reported in The New York Times 25 October 1917
4. ^ [4] James Carroll Beckwith Papers in the National Academy of Design
External links
§ James Carroll Beckwith diary (in the New York Historical Society), 1895 from the Smithsonian Archives of American Art
§ James Carroll Beckwith papers, 1878-1924 also from the Archives of American art
