Artists
| Name | Info | Years
  | Updated by | Date |
|---|---|---|---|---|
| Kaelin, Charles Salis | 1858 - 1929 | Anonymous | 11/12/2012 | |
| Kahle, Julie | 1858 - 1931 | Anonymous | 05/17/2012 | |
| Kane, John | 1860 - 1934 | Anonymous | 07/27/2012 | |
| Kuemmel, Cornelia | 1863 - 1938 | Anonymous | 05/17/2012 | |
| Kendall, William Sergeant | 
In Stones
of Venice John Ruskin wrote, "what we want art to do for us is to stay
what is fleeting . . immortalize
the things that have no duration." [1] In large part, that is what has led
Americans to rediscover the art of the late nineteenth and early twentieth centuries, when artists believed that legitimate art could
be created from the... | 1869 - 1938 | Anonymous | 05/17/2012 |
| Kirchner, Raphael |
Kirchner
was born in Vienna in 1876 and later moved to Paris. He drew for La Vie
Parisienne together with artists like Mucha, all of whom were greatly
influenced by the work of British artist Aubrey Beardsley, who had created an
'art nouveau' style of his own. Mucha went on to concentrate on posters and
Kirchner was drawing for postcards by 1901.... | 1876 - 1917 | Anonymous | 05/17/2012 |
| Koerner, William Henry Dethlef |
Wilhelm
Heinrich Detlev "Big Bill" Körner (November 1878– August 11, 1938), also
known as Wilhelm Heinrich Dethlef Koerner,
William HD Koerner, WHDK, or W.H.D. Koerner,[1] was a noted
illustrator of the American West whose works became known to new audiences when
his painting, nicknamed A Charge to Keep, was used as the cover image for... | 1878 - 1938 | Anonymous | 11/03/2013 |
