| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Venice 19th Century Mattatuck Museum Waterbury, CT |  Horizontal scene of Venetian dock with domed cathedral and campanile tower in distance. Arial view of dock filled with people and boats; Italian flags flying on right; blue sky reflected in water on left. | Unrated | igrkio |
 | Tracy Peck (1838-1921), B.A. 1861, M.A. 1864 1896 Yale University Art Gallery New Haven, CT | Unrated | igrkio | |
 | The Morning Paper 1868 Metropolitan Museum of Art New York, NY | Unrated | igrkio | |
 | The Grand Canal, Venice after 1869 Mattatuck Museum Waterbury, CT | A view of the Grand Canal in Venice, with the dome and tower of Palladio's San Giorgio Maggiore visible in the distance. | Unrated | igrkio |
 | The Alhambra, Granada, Spain ca. 1901 Metropolitan Museum of Art New York, NY | Unrated | igrkio | |
 | Russell Henry Chittenden (1856-1943), Ph.B. 1875, Ph.D. 1880 1912 Yale University Art Gallery New Haven, CT | Unrated | igrkio | |
 | Roses (1) 1883 Addison Gallery of Art Andover, MA | Unrated | igrkio | |
 | Roses 1898 Smithsonian American Art Museum Washington, D.C. | Unrated | igrkio | |
 | Reverend Jonathan Edwards (1703-1758) 1910 Yale University Art Gallery New Haven, CT | Unrated | igrkio | |
 | Kalorama Cottage ca. 1860 Smithsonian American Art Museum Washington, D.C. | Unrated | igrkio | |
 | Kalorama (1) 1860 Smithsonian American Art Museum Washington, D.C. | Unrated | igrkio | |
 | Kalorama 1860 Smithsonian American Art Museum Washington, D.C. | Unrated | igrkio | |
 | George Jarvis Brush (1831-1912) 1897 Yale University Art Gallery New Haven, CT | Unrated | igrkio | |
 | Forging the Shaft 1874–77 Metropolitan Museum of Art New York, NY | Unrated | igrkio | |
 | Elihu Vedder 1902 Museum of Fine Arts Boston, MA | Unrated | igrkio | |
 | Daniel Cady Eaton c. 1890-1895 Harvard University Art Museums, Portrait Collection Cambridge, MA | Unrated | igrkio | |
 | An Artist's Studio 1864 Los Angeles County Museum of Art Los Angeles, CA | Weir seems to indicate in his published Recollections that he began An Artist’s Studio in West Point during the summer of 1862 and returned during the summer of 1863 to finish it, but in an early manuscript of the recollections he wrote that he carried the unfinished canvas with him when he moved to New York in 1861 to set up his own studio in the... | Unrated | igrkio |
- John Ferguson Weir
