| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Brown Kimono (Portrait of Kathryn Beta la Forque) 1908 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | George A. Hearn oil on canvas Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Her Leisure Hour ca. 1925 Smithsonian American Art Museum Washington, D.C. |  Irving Wiles painted many portraits of society women that emphasized their elaborate costumes and jewelry. One writer for Scribner's Magazine commented that Wiles painted women's ribbons, veils, and laces with "as much character as he puts in the expression of their faces." But in Her Leisure Hour, the girl's unhappy expression is at odds with her... | GA | Anonymous |
 | John Gellatly 1930-1932 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Lemuel Maynard Wiles 1904 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | On the veranda 1887 The Terra Foundation for American Art Chicago, IL | GA | Anonymous | |
 | Russian Tea ca. 1896 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | The Green Cushion ca. 1895 Metropolitan Museum of Art New York, NY | Description: This watercolor portrays a young woman reclining on an Empire revival-style recamier couch. The woman at leisure was a popular subject in late-nineteenth-century American painting. An exceptionally fresh demonstration of Wiles's work in watercolor, "The Green Cushion" was awarded the William T. Evans Prize for the best entry at the... | GA | Anonymous |
- Irving R. Wiles
