| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Elizabeth Carpenter Griffin circa 1860 Hunter Museum of American Art Chattanooga, TN | GA | Anonymous | |
 | Fur Traders Descending the Missouri 1845 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | General Francis Preston Blair, Jr. 1871 Brooklyn Museum New York, NY | GA | Anonymous | |
 | John R. Griffin circa 1860 Hunter Museum of American Art Chattanooga, TN | GA | Anonymous | |
 | Landscape with Fisherman 1850 Colby College Museum of Art Waterville, ME | GA | Anonymous | |
 | Mississippi Boatman 1850 National Gallery of Art Washington, D.C. |  rgo, and cities and towns were replacing the more rambunctious trading posts. Although eastern audiences still viewed Bingham's characters as archetypes of the frontier--rugged individuals willing to make their living on the fringes of civilized society--in reality, by mid-century the golden era of the flatboatmen was drawing to a close. | GA | Anonymous |
 | Shooting for the Beef 1850 Brooklyn Museum New York, NY | GA | Anonymous | |
 | The Checker Players 1850 Detroit Institute of Arts Detroit, MI | GA | Anonymous | |
 | The Trappers' Return 1851 Detroit Institute of Arts Detroit, MI | GA | Anonymous |
- George Caleb Bingham
