Preview | Description | Notes | Content | Updated by |
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Street Market 1917 Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Washington, D.C. | GA | Anonymous | ||
Marketing 1928 Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Washington, D.C. | GA | Anonymous | ||
Children Dancing 1903 Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Washington, D.C. | GA | Anonymous | ||
Street Scene 1904 Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Washington, D.C. | GA | Anonymous | ||
Park Bench At Night 1909 Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Washington, D.C. | GA | Anonymous | ||
The Mission Tent 1906 Metropolitan Museum of Art New York, NY | GA | Anonymous | ||
A North River Recreation Pier 1905 Metropolitan Museum of Art New York, NY | GA | Anonymous | ||
Waiting crayon on woven paper, watercolor Addison Gallery of Art Andover, MA | This object was included in the following exhibitions: Drawings by American Artists, Addison Gallery of American Art, 00/00/00 - 00/00/00; The American City, Addison Gallery of American Art, 1/18/1991 - 3/10/1991; Visions of the American City: Selected works from the collection of the Addison, Boston University Art Gallery, 9/13/1991 - 10/27/1991 | GA | Anonymous | |
Madison Square Concert c. 1923 Addison Gallery of Art Andover, MA | GA | Anonymous | ||
The Old House ca. 1908-1915 Brooklyn Museum New York, NY | Jerome Myers's art is classified as Realism since he focused on the urban poor for his subject matter. Unlike many of his contemporaries, however, he refrained from making obvious political or social statements in his art and instead simply appreciated the visual excitement of New York s teeming streets. Myers wrote, "Curiously enough, my... | GA | Anonymous | |
The Market Woman ca. 1912 Brooklyn Museum New York, NY | Myers often depicted the streets, river piers, parks, and playgrounds of New York’s Lower East Side—a neighborhood then populated mainly by poor European immigrants. He especially enjoyed the exceptional energy and vitality of the open-air markets, writing that “the immigrants merge here with New York.” | GA | Anonymous | |
In Rivington Street ca. 1921 Memorial Art Gallery of the University of Rochester Rochester, NY | GA | Anonymous | ||
The Calico Market circa 1919 Currier Museum of Art Manchester, NH | GA | Anonymous | ||
Central Park Bandstand Charcoal on white woven paper Minneapolis Institute of Arts Minneapolis, MN | GA | Anonymous | ||
Italians In Jefferson Park 1934 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | ||
Playground Pleasures 1926 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | ||
Street Shrine 1931 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | ||
The Calico Sellers 1909 Telfair Academy of Arts and Sciences Savannah, GA | GA | Anonymous | ||
The Street Vendor 1934 Private collection: Ken Ratner New York, NY | GA | Anonymous | ||
Street Group ca. 1923 Metropolitan Museum of Art New York, NY | Unrated | Anonymous |
- Jerome Myers