Preview | Description
![]() ![]() | Notes | Content | Updated by |
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![]() | Fall in the Foothills ca. 1933-1934 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
![]() | Monarch of All He Surveys 1909 National Museum of Wildlife Art Jackson Hole, WY | GA | Anonymous | |
![]() | October in the Canyon Bottom 1926 National Museum of Wildlife Art Jackson Hole, WY | GA | Anonymous | |
Old Texas oil on canvas San Antonio Art League Museum San Antonio, TX | ![]() Old Texas again shows the artist's ability to draw the viewer into the painting by creating a strong single point perspective through which the flowing river, the agitated longhorn cattle and the horse and cowboy must maneuver. In this instance, Dunton has draped the background with low rolling hills below a dark and ominous sky. | GA | Anonymous | |
Sentinel of the Plains 1906 Private collection of William B.Ruger Unknown, USA | ![]() Description: Rugged western landscape depicting a cowboy astride his horse atop a rocky mountainside, his body turned in profile to the right as he surveys the vast plain before him. | GA | Anonymous | |
![]() | Tapestry of Autumn 1927 National Museum of Wildlife Art Jackson Hole, WY | GA | Anonymous | |
![]() | The Enemies' Horses ca. 1912-1920 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
The Horse Wrangler oil on canvas San Antonio Art League Museum San Antonio, TX | ![]() The Horse Wrangler shows the vast panorama of West Texas as does Berninghaus's works. However, unlike Berninghaus, the artist has ennobled the cowhand by his prominent placement in the entire foreground of the piece. His gaze over his shoulder draws the viewer's attention to the activities in the background of the painting, while the turbulence of... | GA | Anonymous |
- William Herbert Dunton