Preview | Description
![]() ![]() | Notes | Content | Updated by |
---|---|---|---|---|
![]() | Cliff-Scene, Grand Manan 1865 Butler Institute of American Art Youngstown, OH | ![]() dling of paint. After traveling in Europe and North Africa in the early 1870s, Gifford's style became considerably looser, less detailed, and more painterly. After his death, an admirer noted the artist's preference for the "stern, strong, severe phases of nature," adding that his best works impress the viewer "with an air of nobility and power." | GA | Anonymous |
Near the Coast ca. 1885 Metropolitan Museum of Art New York, NY | GA | Anonymous | ||
![]() | Near the Ocean 1879 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
![]() | October Day 1879 Farnsworth Art Museum Rockland, ME | GA | Anonymous | |
![]() | Seconnet Rock, New Bedford, Massachusetts ca. 1865 Brooklyn Museum New York, NY | GA | Anonymous | |
![]() | The Coast of New England 1880 Brooklyn Museum New York, NY | GA | Anonymous | |
![]() | The Hen and Chickens Lightship off Westport, Massachusetts 1889 Harvard University Art Museums Cambridge, MA | GA | Anonymous | |
![]() | Trees and Meadow ca. 1885 Brooklyn Museum New York, NY | GA | Anonymous |
- Robert Swain Gifford