| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | August Moon ca. 1905 Pennsylvania Academy of the Fine Arts Philadelphia, PA | GA | Anonymous | |
 | Boats at Rest c. 1895 Art Institute of Chicago Chicago, IL |  Ownership History: Private collection, New England, to 1990; Spanierman Gallery, New York, 1990; sold to The Art Institute of Chicago, 1990. | GA | Anonymous |
 | Dragon and Orchard c. 1908 Cleveland Museum of Art Cleveland, OH | GA | Anonymous | |
 | Marsh Creek between 1903 and 1905 The Terra Foundation for American Art Chicago, IL | noramic scene by alternating broad areas of dense blue hues for the night sky and marsh water with the lighter bands of color representing the land. This print demonstrates the artist's interest in creating compositions that balance form and color and eschew the use of discrete line to delineate elements of the landscape. | GA | Anonymous |
 | Moonrise Color woodcut on cream Japanese paper The Terra Foundation for American Art Chicago, IL | k in order to change the position of the moon, which he also made fuller. Instead of well up in the sky, here the moon peeks over a clump of trees on the horizon, and its reflection glimmers on the water. Besides making each of these impressions of virtually the same set of blocks a unique work, Dow's subtle color variations and slight compositional... | GA | Anonymous |
 | The Argilla Road 1912 Indianapolis Museum of Art Indianapolis, IN | GA | Anonymous | |
 | The Dory Color woodcut on off-white Japanese paper Princeton University, Art Museum Princeton, NJ | GA | Anonymous | |
 | The Hill Field 1908-1910 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | The Long Road--Argilla Road, Ipswich ca. 1898 Brooklyn Museum New York, NY | rrangement of colors and shapes. Dow's ideas were disseminated widely through he influential art manual Composition (1899), which was heavily illustrated with Japanese examples. | GA | Anonymous |
- Arthur Wesley Dow
