| Preview | Description
  | Notes | Content | Updated by |
|---|---|---|---|---|
 | Willimantic Thread Factory 1893 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Vase of Flowers Watercolor on cream board Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | Upland Pasture ca. 1905 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Union Square ca. 1879 Brooklyn Museum New York, NY | GA | Anonymous | |
 | The Red Bridge 1895 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | The Plaza: Nocturne 1911 Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Washington, D.C. | GA | Anonymous | |
 | The Open Book 1891 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | The Lute Player 1910/19 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | The Grey Bodice 1898 Art Institute of Chicago Chicago, IL |  Exhibition History: Milwaukee Art Institute, Exhibition of Forty Paintings presented to the Art Institute of Chicago by the Friends of American Art, March 1-29, 1925, cat. 39. Indiana, South Bend Art Association, "American Painting in the Manner of the Late Nineteenth and Early Twentieth Centuries," February 10-March 31, 1948. | GA | Anonymous |
 | The Green Bodice by 1898 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | The Flower Seller ca. 1879 Brooklyn Museum New York, NY | GA | Anonymous | |
 | The Factory Village 1897 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | The Bridge: Nocturne 1910 Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Washington, D.C. | GA | Anonymous | |
 | Portrait of Wyatt Eaton ca. 1878 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Portrait of a Lady with a Dog (Anna Baker Weir) ca. 1890 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Moonlight c. 1905 National Gallery of Art Washington, D.C. | GA | Anonymous | |
 | Landscape after 1900 Smithsonian American Art Museum Washington, D.C. | identified with her. (Cummings, "Home Is the Starting Place: J. Alden Weir and the Spirit of Place," J. Alden Weir: A Place of His Own, 1991). Perhaps the ghostly figure in the foreground is meant to suggest his wife's spirit dwelling under the trees. | GA | Anonymous |
 | Idle Hours 1888 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Hunter and Dogs oil on canvas Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Girl in Black 1910 Brooklyn Museum New York, NY | GA | Anonymous | |
 | Fruit ca. 1888 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Flowers 1880 Art Institute of Chicago Chicago, IL | GA | Anonymous | |
 | Connecticut Village (Going to School) after 1891 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Children Burying a Bird 1878 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Boats Pastel and graphite on paper Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | Back Road oil on canvas The Phillips Collection Washington, D.C. | GA | Anonymous | |
 | At the Water Trough 1876-1877 Smithsonian American Art Museum Washington, D.C. | GA | Anonymous | |
 | Anna Dwight Weir Reading a Letter ca. 1890 Metropolitan Museum of Art New York, NY | GA | Anonymous | |
 | An Alsatian Girl oil on canvas The Phillips Collection Washington, D.C. | GA | Anonymous | |
 | Afternoon by the Pond oil on canvas The Phillips Collection Washington, D.C. | GA | Anonymous | |
 | A Gentlewoman 1906 Smithsonian American Art Museum Washington, D.C. | h feelings, artists created images like these of quiet interior scenes, a visually soothing antidote to an unquiet age. | GA | Anonymous |
 | A French Homestead 1878 Brooklyn Museum New York, NY | GA | Anonymous |
- Julian Alden Weir
