Mary Cassatt at American Art Gallery

Slideshow / Table view

Description	Notes	Content	Updated by
After the Bullfight 1873 oil on canvas 82.5 x 64 cm (32 1/8 x 25 3/16 in.) Art Institute of Chicago Chicago, IL		GA	Anonymous
Afternoon Tea Party 1890-91 Color drypoint and aquatint, from three plates, with brush and gold paint, on ivory laid paper 348 x 270 mm (image/plate); 432 x 301 mm (sheet) Art Institute of Chicago Chicago, IL		GA	Anonymous
By the Pond c. 1898 Color drypoint and aquatint, from three plates on greenish-gray laid paper 328 x 430 mm (image/plate); 400 x 469 mm (sheet) Art Institute of Chicago Chicago, IL		GA	Anonymous
Feeding the Ducks c. 1895 Drypoint and aquatint, with monotype inking, in color on cream laid paper 297 x 395 mm (plate); 386 x 495 mm (sheet) Art Institute of Chicago Chicago, IL		GA	Anonymous
In the Omnibus 1890-91 Color drypoint and aquatint, from three plates, partially printed a la poupee, on ivory laid paper 367 x 268 mm (plate); 437 x 300 mm (sheet) Art Institute of Chicago Chicago, IL		GA	Anonymous
Mother and Child c. 1900 Pastel on blue-gray woven paper (faded to tan), mounted on board 710 x 585 mm Art Institute of Chicago Chicago, IL	Ownership History: The artist to Ambroise Vollard (1867-939), Paris, 1904 [Chicago 1998; letter from Abris Silberman of July 2, 1953, in curatorial file]; to E. and A. Silberman Galleries, New York [Breeskin 1970]; to Dr. John Jay Ireland, Chicago, July 2, 1953 [letter mentioned above]; bequeathed to the Art Institute, 1968.	GA	Anonymous
Portrait of a Young Girl c. 1880 Pastel on paper 24 1/2 in x 20 1/8 in (sight) Art Institute of Chicago Chicago, IL		GA	Anonymous
The Child's Bath 1893 oil on canvas 100.3 x 66.1 cm (39 1/2 x 26 in. ) Art Institute of Chicago Chicago, IL		GA	Anonymous
The Letter 1890/1891 Color drypoint and aquatint, from three plates, on off-white laid paper 345 x 211 mm (image/plate); 437 x 297 mm (sheet) Art Institute of Chicago Chicago, IL	Mary Cassatt began a series of color prints in 1890 that exemplify her indebtedness to Japanese color woodblock prints and her thematic focus on figures in interiors. In The Letter Cassatt, used the patterns of the woman's dress and wallpaper as well as vibrant printing inks to manipulate space and formal elements inspired by Japanese art. The...	GA	Anonymous
Young Mother 1888 Pastel on blue-gray woven paper (faded to tan), mounted on canvas, on a strainer 840 x 738 mm Art Institute of Chicago Chicago, IL	Ownership History: From the artist to Durand-Ruel, Paris [Chicago 1998]; sold to Mrs. Potter Palmer (nee Bertha Honore; 1850-1918), Chicago, April 29, 1892 [Chicago 1998]; given to the Art Institute, 1922.	GA	Anonymous

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